50/50 Choice Routines
Key features
Versatile performance options for close-up, parlour, or stage magic
Incorporates psychological and probability principles for added depth
Can be adapted with various props like envelopes or cards for different presentations
Engages the audience directly, making them part of the magical experience
Offers a broad range of presentation styles, from playful to profound
Pros
Highly adaptable to different performance environments
Strong audience engagement and participation
Can be presented in a variety of styles to suit the performer's persona
Incorporates interesting psychological and probability concepts
Potential for strong emotional and memorable reactions from the audience
Cons
May require a good understanding of psychological principles to maximize effect
Some routines might need specific props or setups
The effectiveness can heavily depend on the performer's presentation skills
Effect
The 50/50 Choice Routines create a moment of suspense and surprise for the audience. A participant is given a choice between two options—often envelopes, cards, or objects—with seemingly equal odds. Despite the apparent fairness of the selection, the magician consistently predicts or influences the outcome, making the result feel impossible. Some routines incorporate additional layers, such as a third option or psychological misdirection, to heighten the effect.
Full Details
50/50 Choice Routines are built around the principle of binary probability—one of two outcomes. However, magicians enhance this simple premise with psychological techniques, subtle forces, or clever structuring to make the result feel inevitable.
Adam Dadswell, a magician who transitioned from card magic to mentalism, highlights the versatility of these routines. He mentions Lucky Envelopes by Luca Volpe, where two envelopes (red and green) are presented, and the participant chooses one. The magician reveals the contents of the unchosen envelope, making the participant question their decision. Adam adds a third envelope—a sleek black one—to introduce the Monty Hall problem, a probability puzzle that deepens the audience’s engagement.
Other variations include:
- Rich Relish’s unreleased 50/50 routine, which uses playful deception.
- Business card routines, where participants choose between two folded cards, with the magician subtly guiding the outcome.
- Stage adaptations, like Andy Nyman’s Chair Swindle, where a participant’s choice between two chairs becomes a dramatic moment.
Who Should Consider the Trick
This routine is ideal for:
- Mentalists who want a simple yet powerful method for predictions.
- Close-up performers looking for an interactive, quick-hitting effect.
- Stage magicians who can expand the concept into a larger routine.
- Beginners, as many 50/50 methods are easy to learn but highly deceptive.
Difficulty
Most 50/50 Choice Routines are low to moderate difficulty, relying more on presentation than complex sleight of hand. Some versions, like Adam’s adaptation with a third envelope, require a deeper understanding of audience psychology. However, the core mechanics are accessible to performers of all skill levels.
What Magicians Say
- Adam Dadswell calls it a "thousand-timer" routine, emphasizing its reliability in performances. He says, "I’m obsessed with the one-in-two probability—it’s so powerful when presented right."
- Steve Cook advises, "Do not underplay a one-in-two—it is incredibly strong when framed correctly."
- Andy Nyman’s Chair Swindle demonstrates how a simple choice can become a theatrical moment, proving that even basic probability can be compelling.
The 50/50 Choice Routines remain a staple in magic because of their deceptive simplicity and strong audience reactions. Whether used as a standalone effect or woven into a larger routine, they consistently deliver astonishment.
What people are saying about 50/50 Choice Routines
Adam Dadswell says...
I'm obsessed with this idea of a one in two... I just think it's so powerful.
Jamie says...
A 50/50 but certainly earlier on in your routine... just takes what could be a really dull moment in your show and turns it into a piece of theater.
Steve Cook says...
Do not underplay a one in two it is so powerful.
Review videos
Adam Dadswell's Desert Island Tricks
AlakazamMagicUK mentioned this magic trick in this video.