Face Off by Craig Petty

Created by: Craig Petty

Face Off is a visually stunning close-up card trick that involves a partial transposition of signed cards. A spectator selects a card (e.g., the eight of diamonds) and signs it. They then choose one of three blank cards, which is also signed. Through a clever method, the face of the chosen card swaps with the blank card, creating an impossible object where one card appears blank on one side while the other reveals the signature on both sides. The trick is interactive, leaves the spectator with a unique souvenir, and all props are examinable at the end. It requires a standard deck, three blank cards, and a Sharpie. Perfect for magicians looking to add a strong visual and interactive routine to their repertoire.

Where to buy

Ellusionist

Face Off

$14.95

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Key features

Uses three blank cards and a standard deck of playing cards
All props are examinable at the end
Creates an impossible object as a souvenir
Interactive and involves audience participation
Strong visual impact with a partial transposition effect

Pros

Examinable props
Clear and engaging method
Strong visual effect
Leaves a unique souvenir for the spectator
Interactive and easy to follow

Cons

Requires setup with blank cards and a Sharpie
Precise handling and setup may not be suitable for beginners
Specific blank cards may not be easily accessible

Effect

The trick 'Face Off' creates a striking visual illusion where the face of a signed card appears to swap with a blank card. A spectator signs a chosen card, and another blank card is also signed. Through a partial transposition, the signed side of one card becomes blank, while the other card now displays the signature. The result is an impossible object that leaves the audience amazed. The trick is interactive, with the spectator actively participating by signing the cards, and it ends with a unique souvenir they can examine.

Full details

'Face Off' uses a standard deck of playing cards, three blank cards, and a Sharpie. The trick involves audience participation, with the spectator signing both the face of a selected card and the back of a blank card. The method relies on a partial transposition, where only one side of the card changes, creating a surprising and impossible effect. All props are examinable at the end, adding to the trick's credibility. The routine is clean, visually impactful, and leaves a lasting impression on the audience.

Who should consider the trick

'Face Off' is ideal for magicians who enjoy interactive and visually striking card tricks. It suits performers who want to engage their audience directly and leave them with a memorable souvenir. The trick is particularly effective for close-up or parlor settings, where the visual impact can be fully appreciated. Magicians who appreciate routines with examinable props and a strong sense of impossibility will find 'Face Off' a valuable addition to their repertoire.

Information on how difficult it is to perform

'Face Off' requires precise handling and setup, making it more suitable for intermediate to advanced magicians. The trick involves specific gimmicks, such as blank cards, and demands careful execution to maintain the illusion. While the method is clear, the timing and handling of the transposition require practice to ensure a smooth performance. Beginners may find the setup and handling challenging, but with dedication, the trick can be mastered.

What magicians say

Craig Petty describes 'Face Off' as a clean and interactive routine with a strong visual effect. He highlights the examinable props and the unique souvenir left for the spectator as key strengths. ReidFerry praises the trick for its visual impact and audience engagement, noting that it works best with an engaged audience. Both reviewers emphasize the importance of smooth handling and clear performance to maximize the trick's effectiveness. Craig also mentions that the trick is exclusive to The Netrix, his online magic platform, making it accessible to subscribers. Overall, magicians appreciate 'Face Off' for its creativity, interactivity, and strong audience reactions.