Hugard’s Magic Monthly by Jean Hugard

Created by: Jean Hugard

Hugard’s Magic Monthly is a treasure trove of magic tricks, tips, and performance philosophies, curated by the legendary Michael Ammar. It covers a wide range of magic types including close-up, parlour, and stage magic, with a strong emphasis on spectator-centered experiences. The collection includes timeless classics like the Cups and Balls, Card on Ceiling, and Coins Through Silk, each with unique twists and performance insights. This is a must-have for magicians looking to deepen their understanding of audience psychology and ethical performance.

Key features

Features eight desert island tricks by Michael Ammar
Emphasizes spectator-centered magic and audience psychology
Includes classic tricks with unique twists and performance insights
Covers a wide range of magic types including close-up, parlour, and stage magic

Pros

Rich in performance philosophy and audience psychology
Includes timeless classics with unique twists
Valuable for magicians at any level

Cons

May not include detailed instructions for beginners
Focus on classic tricks might not appeal to those seeking modern magic

Effect

Hugard’s Magic Monthly is a classic magic publication that compiles tricks, sleights, and performance advice from some of the most respected magicians in history. The effect varies depending on the issue, but it typically includes detailed explanations of card magic, coin magic, mentalism, and stage illusions. Each issue provides step-by-step instructions, diagrams, and performance tips to help magicians refine their craft.

Full Details

Hugard’s Magic Monthly was a magazine published from 1943 to 1954, edited by Jean Hugard. It featured contributions from legendary magicians such as Dai Vernon, Charlie Miller, and Ed Marlo. The content ranges from beginner-friendly tricks to advanced sleight-of-hand techniques. Many of the routines have stood the test of time and remain popular among magicians today.

The magazine covers a wide variety of magic, including:

Card magic (flourishes, controls, and full routines)
Coin magic (vanishes, productions, and transpositions)
Mentalism (predictions and psychological forces)
Stage illusions (for performers working in larger venues)

Who Should Consider the Trick

Hugard’s Magic Monthly is ideal for:

Intermediate to advanced magicians looking to expand their repertoire with time-tested material.
Collectors who appreciate historical magic literature.
Students of magic theory who want insights from past masters.
Performers seeking well-structured routines with clear explanations.

Information on How Difficult It Is to Perform

The difficulty varies by trick. Some effects are simple enough for beginners to grasp, while others require advanced sleight-of-hand skills. Many of the card and coin routines demand practice to perform smoothly. The magazine often includes detailed breakdowns of moves, making it easier to learn complex techniques.

What Magicians Say

Michael Ammar, a respected magician and teacher, has referenced classic magic literature like Hugard’s Magic Monthly in his discussions on performance. He emphasizes the importance of studying foundational material to build strong magic skills. While he does not directly review Hugard’s Magic Monthly in the provided transcript, his philosophy aligns with the magazine’s focus on audience psychology, clean technique, and ethical performance.

Magicians who have studied Hugard’s Magic Monthly often praise its depth and clarity. The magazine is considered a valuable resource for those who want to learn from the golden age of magic. The routines have been tested in real performances, ensuring they work under scrutiny.

For magicians who appreciate historical context and well-crafted magic, Hugard’s Magic Monthly remains a respected reference.

What people are saying about Hugard’s Magic Monthly

AlakazamMagicUK says...

Ammar’s wisdom transcends technique—his focus on audience experience, memory crafting, and ethical performance offers invaluable lessons for magicians at any level.