One in Hand by Paul Brook

Effect

The trick One in Hand is a coin divination effect where the magician appears to read a spectator's mind. The performer holds a coin in their hand and correctly identifies which coin the spectator is thinking of, despite no visible clues or prior knowledge. The effect is clean, direct, and leaves the audience questioning how such a simple action could reveal their thoughts.

Full Details

One in Hand is part of Paul Brook's Starter Mentalism Bundle, which includes three effects. This particular trick uses psychological forces and multiple outs to create the illusion of mind reading. The method is detailed in a 48-page PDF, covering not just the mechanics but also the nuances of presentation, timing, and audience management. The trick is designed to be performed with minimal props—just a coin—making it practical for impromptu situations.

Who Should Consider the Trick

This trick is ideal for mentalists or magicians who want a strong, self-contained mentalism effect that requires no gimmicks. It suits performers who enjoy psychological techniques and are comfortable with subtle audience management. While it can be adapted for beginners, the depth of the method means it may appeal more to intermediate performers looking to refine their mentalism skills.

Information on How Difficult It Is to Perform

One in Hand is described as the most advanced trick in the bundle. It requires a solid understanding of psychological forces and the ability to guide spectator choices naturally. The 48-page document suggests that mastering the subtleties will take time and practice. Reviewer Gareth notes that while the effect is powerful, it is not an instant "pick up and perform" trick—dedicated rehearsal is necessary to make it convincing.

What Magicians Say

Gareth from Mentalist on a Shoestring highlights One in Hand as a "very basic coin in the hand walk-up" that becomes powerful with the right handling. He calls it a "mind effort" that relies heavily on psychological techniques, making it a strong piece for mentalism performers. However, he advises beginners to start with the other two tricks in the bundle before tackling this one due to its complexity.

The trick is praised for its practicality—once mastered, it can be performed anytime with just a coin. Gareth notes that while it demands work, the payoff is worth it, calling it "quite a powerful one" that can become a reliable part of a performer's repertoire.