Reality as an Art by Aaron Alexander

Created by: Aaron Alexander

Reality as an Art is a theoretical magic book by Aaron Alexander, focusing on the philosophy and psychology behind magic rather than specific tricks or methods. It is designed for magicians of all types (close-up, parlour, stage, mentalism, etc.) who want to deepen their understanding of how to create powerful, emotionally resonant experiences for spectators. The book challenges traditional approaches by emphasizing that the true essence of magic lies in human connections and moments of wonder, making methods secondary. Buyers should know that this is not a tutorial with step-by-step instructions but a guide to enhancing performance through a spectator-centered mindset, applicable to various magic disciplines.

Key features

Focuses on magic theory and spectator psychology rather than technical methods
Encourages authentic performances that prioritize emotional impact over ego or exposure fears
References classic magic plots and techniques like Top Change and Coins Across in a philosophical context
Suitable for magicians at any skill level looking to improve their performance quality
Provides insights from James Brown's non-traditional background and desert island trick selections

Pros

Offers a refreshing, human-centered perspective on magic
Helps magicians create more engaging and memorable experiences
Challenges and expands traditional magic thinking

Cons

Not a practical guide; lacks specific trick instructions
May be too theoretical for those seeking hands-on learning

Effect

Reality as an Art presents magic as a psychological and emotional experience for the audience. The trick focuses on creating moments of genuine astonishment and human connection. Spectators experience a sense of wonder that makes the method behind the magic seem unimportant. The effect is about shared emotional reactions rather than technical skill.

Full details

Reality as an Art is a book by Aaron Alexander that explores magic theory. It emphasizes the psychological aspects of performance over secret techniques. The content discusses how to create strong emotional impacts during magic tricks. James Brown highlights that the book helps magicians understand the mind of the spectator. It references classic plots and techniques like Top Change, Crazy Man’s Handcuffs, and Coins Across but frames them around audience experience. The material is not a step-by-step tutorial but a guide to improving performance through psychology.

Who should consider the trick

This book is for magicians who want to focus on audience experience. It suits performers interested in the psychological side of magic. It is ideal for those who wish to move beyond technical skill and create deeper connections with spectators. Magicians who feel limited by traditional rules or fear of exposure may find it helpful. It is also valuable for anyone looking to make their performances more authentic and engaging.

Information on how difficult it is to perform

Reality as an Art does not teach specific sleight of hand or trick methods. The difficulty lies in understanding and applying psychological principles. Performers need to think about their audience's reactions and emotions. This approach requires practice in presentation and timing rather than physical skill. It is accessible to magicians at any level who are willing to focus on performance theory.

What magicians say

James Brown says that "the true power of magic lies not in secrets or technical skill, but in the genuine human connections." He believes that "when a moment of magic is strong enough, the method becomes irrelevant to the spectator." Brown recommends the book for its focus on spectator psychology. He challenges magicians to avoid ego-driven performance and instead create authentic experiences. Brown states that magic's value is in "real human interaction and shared astonishment."

What people are saying about Reality as an Art

AlakazamMagicUK says...

Magic's power comes from human connections and psychological experiences, not secrets or techniques. [...] He believes that when a moment of magic is strong enough, the method becomes irrelevant to the spectator.