SACT (Semi-Automatic Cutting Two) by Ben Train
Created by: Ben Train
Key features
Specific deck setup (diamonds removed and arranged numerically)
Riffle force to control a card selection
Derek DelGaudio-inspired truffle shuffle for maintaining deck integrity
Strategic placement of aces
Spectator’s cutting action as the key to the effect
Pros
Creates a strong visual surprise
Relatively easy to learn with practice
Engages the spectator actively
The ‘card counting’ misdirection adds a layer of sophistication
Cons
Requires a specific deck setup, which may need to be purchased separately
Can be tricky to execute flawlessly without practice
Reliance on the spectator’s cutting action means it’s not entirely automated
SACT (Semi-Automatic Cutting Two): A Detailed Analysis for Magicians
Here’s a breakdown of the SACT card trick, designed to help magicians assess its suitability for their repertoire, incorporating insights from reviews and demonstrations.
Effect:
The SACT trick creates the illusion of multiple aces appearing during a seemingly simple cut of the deck. Specifically, the spectator cuts the deck in half, and after the cut, four aces are revealed. The effect relies on a carefully prepared deck and a misdirection that makes the spectator believe they are freely manipulating the cards. Luke Dancy’s initial demonstration highlights this core surprise element.
Full Details:
Ben Train’s method centers around a pre-arranged deck setup. The key involves removing all cards of one suit (diamonds in the demonstration) and arranging them in numerical order, with the two of diamonds placed at the back of the deck. Aces are then strategically positioned on top. The trick’s power lies in the spectator’s action – the cut – which, due to the stacked deck, results in the appearance of multiple aces. Train emphasizes that the spectator’s belief in their own control is crucial to the illusion. He notes that the deck is prepared in a way that makes the cut appear random, even though it’s precisely controlled. The trick can be performed with a standard deck of cards, but the preparation adds a layer of complexity and perceived skill. Train recommends his “At the Table” lecture for a deeper understanding of the method and variations. The trick is not limited to just two aces; it can be adapted to reveal any number of cards of the same rank.
Who Should Consider the Trick:
SACT is well-suited for magicians who enjoy interactive routines and appreciate a degree of misdirection. It’s particularly appealing to those who like to involve the audience and create a sense of wonder. The reliance on a spectator’s action makes it a good choice for performers who thrive on audience participation. Magicians who are comfortable with subtle manipulations and a slightly more involved preparation process will find this trick rewarding. As Ben Train suggests, the “At the Table” lecture provides a solid foundation for mastering the technique.
Information on How Difficult It Is to Perform:
The initial setup requires careful attention to detail and a methodical approach. However, once the deck is prepared, the performance itself is relatively straightforward. The riffle force and false shuffle are standard sleight-of-hand techniques that most magicians will already be familiar with. The key difficulty lies in the preparation and ensuring the cut is executed correctly to achieve the desired result. Train highlights the importance of adjusting the stack’s position based on audience cutting habits, noting that spectators often cut deeper than anticipated. He also suggests using a visual cue – pointing directly beside the deck during the cut – to help the spectator accurately divide the deck in half. Derek DelGaudio’s truffle shuffle is incorporated to maintain the deck’s integrity after the force.
What Magicians Say:
- MurphysMagicSupplies (Author 1): This source emphasizes the reliance on a specific deck setup and the spectator’s actions as the core of the trick’s magic. They note the use of a riffle force and a truffle shuffle, highlighting the need for proficiency in these techniques. The “Card Counting” misdirection is also highlighted as a clever element that enhances the illusion.
- Ben Train: Train repeatedly stresses the importance of audience engagement and presentation. He suggests starting with a line like, "I'm not going to do it, you are," to immediately involve the spectator. He also recommends performing in real-world settings to gather feedback and refine the routine. He emphasizes the term "card counting" as a way to add intrigue and perceived skill. He notes that the stack’s position can be adjusted based on audience cutting habits. He strongly recommends his “At the Table” lecture for further exploration.
- Luke Dancy: Dancy’s demonstration showcases the immediate surprise and wonder of the effect, underscoring the trick’s potential to create a memorable moment for the audience.
- Reviewer (Implied): The reviewer notes the trick’s “kick butt” start and the importance of the spectator’s actions, emphasizing that the magician isn’t doing the work. They also appreciate the use of “card counting” as a misdirection technique.
What people are saying about SACT (Semi-Automatic Cutting Two)
MurphysMagicSupplies says...
We starts like every other card trick. You're going to say stop as I go through.
Tutorial videos
How to do a Four Ace trick that will blow spectators away! | Saturday Sorcery Ben Train tutorial
MurphysMagicSupplies mentioned this magic trick in this video.