The Brother John Book by Tom Dobrowolski and Brother John Hammond

Effect

The Brother John Book contains a trick called "Magic Cards" by Brother John Hammond. In this effect, the magician introduces three mystery cards, never showing their faces. Three cards are selected by the audience, and one by one, they transform into the selections. The trick ends with the cards being put away, leaving the audience wondering what they just witnessed. The method is subtle, and the lack of a definitive ending creates intrigue.

Full Details

The trick is based on a clever principle that allows the magician to secretly control the transformations. The original version, as described by Tom Dobrowolski, leaves the audience questioning the nature of the cards, as they are never fully revealed. Dobrowolski later expanded on the idea, adding phases and a stronger climax, such as flashing blank cards or making the entire deck appear blank at the end. The trick works best when performed after other effects with a normal deck, reinforcing the idea that the cards are ordinary before the surprise occurs.

Who Should Consider the Trick

This trick is ideal for magicians who enjoy psychological deception and subtlety. It suits performers who like routines that build curiosity rather than relying on flashy reveals. Since the original version is open-ended, it allows for creative adaptations, making it appealing to magicians who enjoy refining and personalizing effects.

Information on How Difficult It Is to Perform

The difficulty level depends on the version performed. The original "Magic Cards" from The Brother John Book requires smooth handling and natural misdirection to maintain the mystery. Dobrowolski’s expanded versions, such as "Snowstorm in Chicago," involve additional sleights and timing to execute convincingly. Performers should be comfortable with card control and audience management to ensure the effect lands effectively.

What Magicians Say

Tom Dobrowolski, who developed "Snowstorm in Chicago" based on Hammond’s original trick, describes it as a work in progress that evolved over years. He mentions testing different versions with fellow magicians like John Bannon before settling on a final method. Dobrowolski emphasizes the importance of audience engagement, stating, "I just want them long enough to keep people's attention... and let them draw their own conclusion."

The trick’s strength lies in its ability to make spectators question what they saw without overt explanation. As Dobrowolski notes, "If they lead themselves to the conclusion, that's gold." This approach makes the effect memorable and baffling for audiences.

For magicians interested in the original concept, The Brother John Book provides the foundation, while Dobrowolski’s refinements offer additional layers of deception. Both versions reward careful study and performance practice.