Twilight by Paul Harris and Craig Petty

Effect

Twilight is a coin and mirror routine that creates the illusion of coins appearing and disappearing in a mirror. The audience sees a coin vanish from the performer's hand and reappear in the mirror, or vice versa. The effect is visually striking and leaves spectators puzzled about how the coins move between the real world and the reflection.

Full details

Twilight, originally created by Paul Harris, involves a half dollar coin and a mirror. The trick relies on the interaction between the coin and the mirror to produce and vanish coins in a way that seems impossible. Craig Petty has adapted the routine for walk-around performances, making it more versatile and practical for different settings. His version uses a credit card-sized mirror, which helps reduce angle issues and makes the trick more angle-proof. The routine includes producing and vanishing four coins, with a focus on clear visuals and audience interaction.

Who should consider the trick

Twilight is ideal for magicians who enjoy coin magic and want a visually impactful routine. It is particularly suited for performers who do walk-around magic, as Craig Petty's adaptation makes it more flexible for various performance environments. Magicians who appreciate classic tricks with a modern twist will find this routine appealing.

Information on how difficult it is to perform

Twilight requires practice to master, especially when it comes to handling the mirror angles and timing. The original version has specific conditions, such as needing a close-up pad and a seated audience, but Craig's adaptation simplifies these requirements. However, performers still need to practice to ensure smooth execution and maintain the illusion. The trick is not overly complex but demands attention to detail.

What magicians say

Craig Petty highlights the limitations of the original Twilight, such as the need for a close-up pad and seated audience, and demonstrates his walk-around adaptation. He emphasizes the importance of audience interaction and the strong visual effects of the routine. Craig also notes that his version uses a credit card-sized mirror, making it more angle-proof and practical for various performance settings. He describes the trick as commercial and suitable for different environments, but stresses the need for practice to achieve smooth execution.