Zig-Zag Lady by Robert Harbin

Effect

The Zig-Zag Lady illusion creates the impossible visual of a person being divided into three separate sections while remaining alive and moving. The magician places an assistant into a vertical cabinet, slides metal blades through the middle, and pulls the cabinet apart to reveal three disconnected segments. Despite this, the assistant continues to smile, wave, or even move their hands. The magician then reassembles the cabinet, removes the blades, and the assistant steps out unharmed.

Full Details

The Zig-Zag Lady is a stage illusion with roots in classic magic. It was originally developed by Robert Harbin and has been performed by magicians worldwide, including Chris North, who inherited Harbin’s version. The illusion relies on precise construction of the cabinet and strategic movement of the assistant. Unlike some illusions that use mirrors or hidden compartments, this effect depends on clever angles and timing.

The illusion is adaptable for different performance styles. Some magicians present it dramatically with music and lighting, while others add comedy or audience interaction. The assistant’s reactions—such as waving from the separated sections—enhance the impossibility.

Who Should Consider the Trick

This illusion suits stage magicians who perform for larger audiences. It requires space for the cabinet and an assistant who can follow precise instructions. Because of its visual impact, it works well in theatrical shows, corporate events, or cruise ship performances. Beginners should note that it involves setup and practice, but experienced performers can integrate it smoothly into an act.

Difficulty

The Zig-Zag Lady is moderately difficult. The mechanics are straightforward, but timing and presentation are crucial. The magician must handle the blades and cabinet movements confidently to maintain the illusion. Assistant coordination is also key—they must stay still during critical moments and react naturally when "divided."

Magicians like Chris North have performed it for decades, proving its reliability with practice. The illusion does not require advanced sleight of hand, but rehearsals are necessary to perfect pacing and audience engagement.

What Magicians Say

• AlakazamMagicUK compares the Zig-Zag Pencil (a close-up variant) to the classic illusion, noting its visual appeal and affordability. They emphasize that the effect relies on "clever design and misdirection," not magnets or complex gimmicks.
• Chris North, a veteran magician, includes the Zig-Zag Lady in his "Desert Island Tricks," calling it a staple of his career. He credits Robert Harbin’s original method and highlights its versatility in different acts, from grand illusions to intimate parlour shows.

North’s long-term use of the illusion demonstrates its enduring appeal. His advice to magicians is to "keep reinventing" performances, and the Zig-Zag Lady adapts well to creative presentations.

For magicians seeking a proven, visually stunning stage illusion, the Zig-Zag Lady remains a standout choice. Its combination of simplicity and strong audience reaction makes it a valuable addition to any act.